![]() ![]() Often, novice writers think in terms of the first and third acts, but the central idea primarily takes place in the second act. Conversely, if you can and it fits the criteria for an excellent logline, which will be discussed later, then you are on your way to creating a screenplay.Ī good logline is a one-sentence description of the film. If you cannot communicate that great idea you had in one sentence, it is not that good of an idea. First, define the central idea with what is called the logline. No matter how or when you decide to write your logline, your main objective with it is to make your script irresistible to your target audience.The next step in any screenplay project is to begin at the top of the outline and fill in the blanks. It can act as a reference point to ensure you’re following the trajectory of your original premise, but you might even find that it evolves as you write you become more confident in the story you want to tell. While a logline can be written after you’ve already completed your screenplay for pitching purposes, it’s also a good place to start. The stakes are also significant compared to the first: saving a planet vs. There’s clear emphasis on the setting and who the “hero” and “villain” are. ![]() You might expect a clear-cut hero’s journey from this script. Ignoring the name of the planet and the power source of that second logline – those are little jokes, just for me – it seems to belong to a pretty serious science fiction film. The additional clause at the end, joined by the en-dash, creates a sense of urgency, while the actual content of that addition is pretty silly. ![]() It sets up the main character to be chaotic and blundering. Let’s unpack why this is:įirstly, the word “neurotic” in that first logline has comedic insinuations. These two loglines have very different vibes: the first feels like a character-driven comedy, while the second feels like an action-packed science fiction film. Let’s have a look at what this may look like here’s an example of a logline: If your screenplay follows a conventional structure, however, you may consider including who your protagonist is and what or who they need to overcome. So, how do we write a logline, then? Unfortunately, there’s no official logline template. It proves that you know exactly how and why your story should exist. This is why a logline is so often required during the pitching process. If you can elicit an emotional response from your target audience with a single, concise sentence, you probably have a fantastic grasp of your story and character arc. While there are no hard and fast rules on how many words are in a logline, the industry consensus is that less is more. It may allude to a character arc or central conflict or, if your screenplay doesn’t follow the conventional Hero’s Journey, it might instead be a vague yet alluring outline that denotes tone or genre. It’s a one to two sentence summary of your screenplay that acts as a hook into your story’s world. But a logline’s purpose is much more nuanced than that.īefore we get to specifics, let’s start with the general: what is a logline? Well, it isn’t really a dog, for a start. It might be easy to judge the logline as unnecessary in the context of a well-thought-out story to view it as something you can slap together as quickly as your fingers can type. ![]()
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